Honouring the original with a digital upgrade

Dr. Strangelove or: How I Learned to Stop Worrying and Love The Bomb, Stanley Kubrick’s 1964 black satirical thriller, has aged well in terms of its themes (cold war paranoia run amok, man’s relationship to technology) and the memorable comic performances of Peter Sellers and George C. Scott. But in terms of its physical form, Dr. Strangelove, like many cinema classics, has fared very poorly most of its life – until now.