The making of The Fire Inside, directed by renowned cinematographer Rachel Morrison, ASC, marked an interesting educating case in cinema—both as a testament to Morrison’s versatility and a masterclass in achieving a classic ‘film look’ with cutting-edge digital tools. The film’s production faced multiple delays, but the technical finesse showcased by Morrison and her team turned these challenges into opportunities to refine their craft. This article delves into the intricate details of how Morrison and cinematographer Rina Yang, BSC, leveraged the Sony VENICE and Panaspeed lenses to achieve a cinematic aesthetic and how they innovatively shot fight scenes to immerse audiences.
Source: Using the Panaspeeds to Get the ‘Film Look’ Out of the Sony VENICE – Y.M.Cinema Magazine