The Grand Budapest Hotel, the new Wes Anderson movie, is presented in not one but three aspect ratios. That term, aspect ratio, refers to the proportion of a movie’s width to its height—so, e.g., one of the most common formats for major theatrical releases in the U.S. is 1.85:1, with the projected image almost twice as wide as it is tall. (The best-selling HD TVs have a similar ratio, 1.78:1.) Anderson uses that familiar format only briefly in Grand Budapest, though, for scenes at the beginning and end of the movie.