Photographer Joseph O. Holmes, a chronicler of people and their work spaces, turned his attention in 2012 to the projection booth. This exhibition of more than 30 photographs featuring projectionists in their domains, at movie theaters in and around New York City, shines a light on what is quickly becoming a lost art form. Holmes captures the intricate beauty of the projectors and related ephemera such as canisters, reels, and the medium—celluloid—itself, scattered across the often cramped booths. Usually anonymous and unseen, the skilled technicians who operate these increasingly rare machines are present in many of the images; their personalities evident in the handwritten notes, personal photographs, and posters that cover any available wall space. At a time when many lament the demise of film, these intimate portraits preserve a visual record of a vanishing medium and the craftspeople who keep film presentation alive. (Museum of the Moving Image)