The Cannes 2024 Camera Chart demonstrates a very intriguing fact. Most of the cameras used to shoot the films have Super 35 sensors. Hence, filmmakers chose Super 35 over the large format. The dominant cameras are the ARRI ALEXA Mini, ARRI 35, Sony VENICE, and the ARRI Mini LF. But the majority of DPs chose to shoot with the Mini and 35 over the Mini LF and VENICE. That proves that the Super 35 format is still the gold standard.
Source: Cannes 2024 Proves that Super 35 is Back Into the Game – Y.M.Cinema Magazine