Skip to Main Content
Skip to content
  • Home
  • About »
    • Peter Knight’s WebWatch »
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services »
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me »
      • CV
  • News
  • Blog
  • Media »
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema »
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas »
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection »
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site »
      • FLIX – Loughborough Student Cinema »
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training »
          • Answers to Spot the Difference
    • Cinema Projection »
      • Freelance Projectionists
      • Celluloid Projection »
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories »
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney »
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection »
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources »
    • Links
    • Cinema Technology Magazine »
      • Online Issues
  • Contact
Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Cinema Technology

Sundance 2025 Cameras: ARRI ALEXA 35 Dominates the Festival Circuit
28 Jan 2025

Sundance 2025 Cameras: ARRI ALEXA 35 Dominates the Festival Circuit

by Bolaji O | posted in: All News, Cinema Technology, Film Festival, Film production | 0

The Sundance Film Festival has long been an essential platform for independent filmmakers to showcase their work. But it is not just the films that capture attention; the cameras behind these productions are equally important. In 2025, a clear trend … Continued

Cameras
Hisense PL2 Laser Cinema Ultra Short Throw Projector vs Formovie Theater Ultra Short Throw Triple Laser Projector Comparison
28 Jan 2025

Hisense PL2 Laser Cinema Ultra Short Throw Projector vs Formovie Theater Ultra Short Throw Triple Laser Projector Comparison

by Bolaji O | posted in: All News, Cinema Technology, Projectors, Reviews | 0

When it comes to creating a truly cinematic experience at home, Hisense’s PL2 Laser Cinema ($2,500) and the Formovie Theater ($2,300) represent two of the most compelling ultra short throw (UST) projector options available. Let’s dive into what makes these … Continued

Blackmagic URSA Cine 12K LF Gets Netflix Approval
20 Jan 2025

Blackmagic URSA Cine 12K LF Gets Netflix Approval

by Bolaji O | posted in: All News, Cinema Technology, Film production, Netflix, Products | 0

The Blackmagic Design URSA Cine 12K LF has officially joined the list of Netflix-approved cameras. This achievement highlights the camera’s ability to meet the rigorous technical requirements that Netflix sets for its Original productions. While this milestone has certainly elevated … Continued

Do Smartphone Gimbals Still Matter?
20 Jan 2025

Do Smartphone Gimbals Still Matter?

by Bolaji O | posted in: All News, Cinema Technology, Media, Media Devices, Technology | 0

As smartphones evolve, so does their camera technology. Features like optical image stabilization (OIS) and electronic image stabilization (EIS) have made handheld shooting smoother than ever. Enter the Insta360 Flow Pro, a smartphone gimbal stabilizer aimed at pushing cinematic capabilities … Continued

Could ARRI Revolutionize Cinema with a Global Shutter 8K Camera Using OnSemi’s XGS 45000 Sensor?
20 Jan 2025

Could ARRI Revolutionize Cinema with a Global Shutter 8K Camera Using OnSemi’s XGS 45000 Sensor?

by Bolaji O | posted in: All News, Cinema, Cinema Technology | 0

The possibility of ARRI, a giant in the cinema camera industry, venturing into the realm of global shutter sensors by implementing OnSemi’s XGS 45000 CMOS image sensor is both exciting and thought-provoking. With virtual production emerging as a key focus … Continued

Cinematic Awesomeness: URSA Cine 12K LF Paired With Cooke S8/i
20 Jan 2025

Cinematic Awesomeness: URSA Cine 12K LF Paired With Cooke S8/i

by Bolaji O | posted in: All News, Cinema, Cinema Technology, Craft | 0

Cinematographer Ben Saffer’s latest short film, Dog, directed by Caitlin McLeod, is a testament to the evolving capabilities of ‘Blackmagic Digital Film’ cameras. At the heart of this visually nostalgic and emotionally nuanced story lies a powerful combination of the … Continued

Posts pagination

« 1 … 10 11 12 13 14 15 16 … 48 »

Media | Cinema | Projection, MCP and Mad Cornish Projectionist Services are all trading styles of Peter J Knight

  • Facebook
  • LinkedIn
  • Twitter
  • WhatsApp

Privacy

Cookies

Copyright 2023 Peter J Knight

Telephone
+447974 930772

© 2025 Media | Cinema | Projection - WordPress Theme by Kadence WP

Notifications