formerly Mad Cornish Projectionist.
Furiosa A Mad Max Saga is a mega-budget project directed by George Miller (79) and shot for the IMAX by cinematographer Simon Duggan ASC, ACS on a combination of ARRI ALEXA 65, RED V-Raptor, and Komodo. Source: Furiosa: Filmed for … Continued
Have you wondered what are the most popular cinema cameras? Well, by analyzing three main film contests (Oscars, Cannes Film Festival, and Sundance Film Festival), the answer is pretty straightforward. Read our analysis regarding these top film competitions for the … Continued
ARRI has released a short BTS (Behind The Scenes) video of its CPO (Certified Pre-Owned) program, demonstrating the high-level process of sharpening and validating secondhand cameras. Source: BTS of ARRI CPO – Y.M.Cinema Magazine
Sony released a series of helpful videos explaining how electronic variable neutral density (ND) filters work in their most popular digital cameras like the FX9, FS5, and Burano. Source: What Are Electronic Variable Neutral Density Filters and How Do They … Continued
Does this headline sound familiar? Yes, it is! Top Producer Jerry Bruckheimer reveals some cool stuff about the upcoming Formula 1 film starring Brad Pitt. Think of it like Top Gun: Maverick in the ground. The TGM team implemented the … Continued
This case study demonstrates an optimal combination of three Sony Cinema Line models, to capture cinematic imagery of the Coppa Italia Final. This cinematographic orchestra was assembled from the VENICE 2, BURANO, and FR7. Source: Sony VENICE 2 + BURANO … Continued