It’s been several weeks since Quentin Tarantino’s The Hateful Eight hit theatres; the reviews have been shared, the interviews published, the friendly (or not so friendly) discussions brought to their conclusion. But there’s one subject we at FJI believe still merits some ink: The Hateful Eight’s two-week roadshow, which on Christmas Day made Tarantino’s latest the first film in nearly 50 years to be released in the Ultra Panavision 70 format.