I wonder if senior management at the big three Detroit automakers during the late 1970s and early 1980s experienced the same sense of pending anxiety that many Hollywood studio executives must presently feel. You see, as the media and certain members of the industry spent this past summer lamenting over a string of underperforming blockbusters like “After Earth”, “The Lone Ranger” and “White House Down”, a threat to Hollywood’s long dominance of the worldwide movie market continued its steady growth. What’s more, this threat comes from the very international territory Hollywood has recently courted as an emerging market; a region which has already proven how effective it is at disrupting American industrial supremacy.