In a world where content is king, surely the film business is in good health? Although production budgets and global box office are on the rise, we’ve seen recent high-profile friction in the market when the Cannes Film Festival publicly blocked Netflix from entering any of its movies in the prestigious Palme d’Or, signalling the defence and protection of a tale as old as time: the film distribution model. As the industry shifts, creating a new distribution model, how will it re-invent itself amid this disr