formerly Mad Cornish Projectionist.
Though the fifties are best remembered as an art-house golden age in Italian cinema, even then the work of Federico Fellini and Vittorio De Sica coexisted with peplum, a genre of popular, cheaply made sword-and-sandal movies. Bava inaugurated the Italian … Continued
“Today a technological storm is raging, the result of which will be the ultimate democratization of the cinema.” So reads one of the many pronouncements of Dogme 95’s opening salvo—a manifesto that the movement’s cofounder, Lars von Trier, distributed on … Continued