Digital Cinema

Mandy Walker AM ASC ACS became the first woman in history to take home the AACTA (Australian Academy of Cinema and Television Arts) Best Cinematography award for her work on “ELVIS”. Now it is the time for Walker to accomplish … Continued

Atomos and Atlas have published an educational video demonstrating the adjustments needed to shoot anamorphic. For those who aim for anamorphic imagery — this video might be a useful source. Source: Atomos and Atlas Show You How to Shoot (and … Continued

WW (Wonder Woman) director, Patty Jenkins, explains in a detailed and emotional letter, what actually happen to the WW3 project. In a sentence, DC disconnected Jenkins from directing WW3. Read Jenkins’s letter below… Source: What Did Really Happen With the … Continued

Quietly and surprisingly, Freefly has launched the successor of the Wave – a high-speed camera. This time, the new cinema camera named Ember is capable of shooting 5K 600 fps, and 4K 800 fps, and owns a Super 35 sensor. … Continued

Have you seen Netflix’s new high-octane, action-packed thriller Lost Bullet 2? If not —Go see it! It’s one of the best action movies Netflix has ever released. Large format goodness — Shot on RED Monstro 8K by cinematographer Morgan S. … Continued

James Gunn’s Guardians of the Galaxy Vol. 3 returns. The film was shot on RED V-Raptor by the RED shooter, Henry Braham, BSC. IMAX categorized the film as “Filmed for IMAX” and released an ‘IMAX trailer’. Source: IMAX Certifies the … Continued