formerly Mad Cornish Projectionist.
According to the requirement of the new job at IMAX, it seems that the company is strengthening and developing its cloud infrastructure, in order to implement pipelines and workflows for cloud-based image processing applications, including post-production. Source: IMAX is Developing … Continued
The Super 35 version of the RED V-Raptor has landed. The S35 Raptor (nicknamed RHINO) owns a smaller sensor than the Komodo, but with more resolution, in order to mitigate vignetting. Source: RED RHINO V-Raptor 8K S35 Announced – YMCinema … Continued
What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many patents are involved? Can RED win? Source: The … Continued
The Alpha 7R V has just been introduced, as Sony’s highest-resolution image sensor in an Alpha camera. The camera which is capable of shooting 10-bit 8K videos, incorporates a new Artificial Intelligence (AI) processing unit with a 61MP sensor, and … Continued
Blackmagic Design has done it again. Although it has not officially been released yet, the iPad version of the award-winning post-production software DaVinci Resolve is going to be available very soon in the Apple store – For FREE! Source: Blackmagic … Continued
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array of cinema cameras, or with one camera and … Continued