Digital Cinema

In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment. Michael used high-end cameras for the job, including … Continued

Fujifilm introduces the FUJINON 25-1000mm F2.8-5.0 PL box lens, which can cover large sensors. This new glass is a broadcast lens set to launch in 2023. The FUJINON 25-1000mm is defined as the highest combination of magnification and telephoto reach … Continued

No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much tougher, and pricier (…because of the armor). Source: … Continued

Cinema PTZ cameras armed with full-frame sensors sound like a legit idea that might be requested as well. However, when analyzing the options and possibilities regarding the utilization of cinema PTZ cameras, we ended up asking ourselves — For what … Continued

It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema. Source: Nikon Denies and Fights Back RED’s Lawsuit … Continued