formerly Mad Cornish Projectionist.
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array of cinema cameras, or with one camera and … Continued
Which is more powerful? IMAX film (1570) of the digital 4K laser system? This article is a tribute to the mighty 1570, which cinephiles hope will make a comeback. Read about two outstanding IMAX methods to screen a movie. Source: … Continued
In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment. Michael used high-end cameras for the job, including … Continued
Fujifilm introduces the FUJINON 25-1000mm F2.8-5.0 PL box lens, which can cover large sensors. This new glass is a broadcast lens set to launch in 2023. The FUJINON 25-1000mm is defined as the highest combination of magnification and telephoto reach … Continued
No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much tougher, and pricier (…because of the armor). Source: … Continued
Cinema PTZ cameras armed with full-frame sensors sound like a legit idea that might be requested as well. However, when analyzing the options and possibilities regarding the utilization of cinema PTZ cameras, we ended up asking ourselves — For what … Continued
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