formerly Mad Cornish Projectionist.
It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema. Source: Nikon Denies and Fights Back RED’s Lawsuit … Continued
In a recent interview, James Cameron (once again) justifies the necessity of 3D cinematography and says it’s only the beginning of it. Camron expects this complex 3D methodology will be heavily implemented in future blockbusters. Source: James Cameron Says It’s … Continued
Although this is not a debate, at least not for our readers, it constitutes a pretty intriguing discussion. A fairly educating visualization was crafted by using multiple recourses (Idc, CIPA Japan, Gartner, and Canalys) by YT user James Eagle, which … Continued
When shooting for IMAX, most of the time he production won’t shoot the entire film on 15-perf, because it’s hard. For instance, in NOPE, ’only’ 48 minutes of footage in the two-hour movie was shot on IMAX cameras —All the … Continued
Sony has just introduced the VENICE Extension System 2, which increases flexibility with 8K data transmission and extends up to 12 meters away from the camera body. Furthermore, VENICE 2 Version 2.00 Firmware Update will be released in 2023. Source: … Continued
Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with 1.5x extender engaged). Moreover, the lens is the … Continued