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Media | Cinema | Projection

formerly Mad Cornish Projectionist.

  • Home
  • About
    • Peter Knight’s WebWatch
      • Review of Big Screen Biz Website
      • Review of British Film Institute (BFI) Website
      • Allocine (Now Known as Screenrush)
      • Review of Cinema Consultants & Services International inc
      • Review of Cinema Hosting Site
      • Review of Digital Cinema Media Site
      • Review of Fox Searchlight Website
      • Review of Launching Films Website
      • Review of Media Salles Site
      • Review of MYVUE Site
      • Review of Odeon’s Relaunched Website
      • Review of Pearl & Dean Website
      • Review of Tivoli Lighting Website
      • UK Film Council
    • Services
      • Production Companies
      • Media Cinema Projection Availability
      • Virtual Training School
    • Site History
    • Cookie Policy
    • FAQ
    • Copyright and Disclaimer Notice
    • Privacy Notice
    • Peter J Knight
    • About Me
      • CV
  • News
  • Blog
  • Media
    • Content Release
    • Media News
    • Movie News and Releases
    • Culture, Heritage and Attractions
  • Cinema
    • Flix – Loughborough Student Cinema
    • Cinema ‘Experience’/Art Houses
    • Cinema Information
    • Cinema Organs
    • Cinema Photographs
    • Cinerama
    • Community/Mobile/Pop-Up/Outdoor, Open Air and Mobile Cinemas
      • Outdoor, Open Air and Mobile Cinemas
    • Early Cinema/Bioscopes
    • Traditional Independent Cinemas/Picture Palaces
    • Green Cinema
  • Projection
    • Manuals and Training
    • Student Cinema and Film Societies Resources Site
      • FLIX – Loughborough Student Cinema
        • History of Flix
        • Flix Projectionists Job Description
        • Flix Equipment
        • Flix – Loughborough Student Cinema Article
        • Flix – Loughborough Student Cinema
        • Flix Projectionist Training
          • Answers to Spot the Difference
    • Cinema Projection
      • Freelance Projectionists
      • Celluloid Projection
        • Change Overs
        • Projectionist Anthology
        • Projectionism
        • Projectionist Certificate
        • Projectionist Memories
          • Dumbo or Davy Crocket ?
          • John O`Meara – New Zealand
          • From Projection Box to Black Box
          • Memoirs of a Film Projectionist
          • I was 22793936 Driver Habberley, RASC
          • Memories – Harry Wakeford
          • Memories by Dave Parr
          • Memories by David A Ellis
          • Memories by Brian White
          • Memories by Joel Genung
          • A brief career in Cinemas
          • Coventry Projectionist
          • Memories by John
          • Memories by Michael Wileman
          • Memories from William S Rodgers
          • Memories of a Projectionist
          • Memories of Brighton Cinemas in 1963
          • Mike Woods Story
          • More Memories by David A Ellis
          • Projectionist Memories by Colin Marsh
          • Projectionist Tales: Turning 35mm into 16mm
          • The Biggest Screw-up ever
          • The Show Must Go On
          • The Ultimate Dream of a Projectionist
          • Years as a Projectionist
          • Years as a Projectionist part 2
          • Years as a Projectionist part 3
      • Digital Projection
      • Miscellaney
        • The A-Z of Projection
        • The A-Z of Projection
    • Non Cinema Projection
      • Non-Cinema Projection
      • Non-Standard Cinema Projection
      • Non-Traditional Projection and Cinema
      • Non-Traditional Projection and Cinema
    • Mobile Cinema
    • Video Guides
  • Resources
    • Links
    • Cinema Technology Magazine
      • Online Issues
  • Contact

Digital Cinema

Nikon Denies and Fights Back RED’s Lawsuit
22 Sep 2022

Nikon Denies and Fights Back RED’s Lawsuit

by Bolaji O | posted in: All News | 0

It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema. Source: Nikon Denies and Fights Back RED’s Lawsuit … Continued

Digital Cinema
James Cameron Says It’s Only The Beginning of 3D Cinematography
22 Sep 2022

James Cameron Says It’s Only The Beginning of 3D Cinematography

by Bolaji O | posted in: All News | 0

In a recent interview, James Cameron (once again) justifies the necessity of 3D cinematography and says it’s only the beginning of it. Camron expects this complex 3D methodology will be heavily implemented in future blockbusters. Source: James Cameron Says It’s … Continued

Digital Cinema
Visualization: Cameras vs. Smartphones (1951-2021)
22 Sep 2022

Visualization: Cameras vs. Smartphones (1951-2021)

by Bolaji O | posted in: All News | 0

Although this is not a debate, at least not for our readers, it constitutes a pretty intriguing discussion. A fairly educating visualization was crafted by using multiple recourses (Idc, CIPA Japan, Gartner, and Canalys) by YT user James Eagle, which … Continued

Digital Cinema
IMAX: The New Cameras Will Open New Opportunities for Filmmakers
22 Sep 2022

IMAX: The New Cameras Will Open New Opportunities for Filmmakers

by Bolaji O | posted in: All News | 0

When shooting for IMAX, most of the time he production won’t shoot the entire film on 15-perf, because it’s hard. For instance, in NOPE, ’only’ 48 minutes of footage in the two-hour movie was shot on IMAX cameras —All the … Continued

Digital Cinema, IMAX
Sony Introduces the Extension System 2 for the VENICE 8K Cinema Camera
22 Sep 2022

Sony Introduces the Extension System 2 for the VENICE 8K Cinema Camera

by Bolaji O | posted in: All News | 0

Sony has just introduced the VENICE Extension System 2, which increases flexibility with 8K data transmission and extends up to 12 meters away from the camera body. Furthermore, VENICE 2 Version 2.00 Firmware Update will be released in 2023. Source: … Continued

Digital Cinema
Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm
22 Sep 2022

Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm

by Bolaji O | posted in: All News | 0

Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with 1.5x extender engaged). Moreover, the lens is the … Continued

Digital Cinema

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