formerly Mad Cornish Projectionist.
In continuous with our previous video published by Nikon Asia regarding the editing of 8K N-RAW on Grass Valley EDIUS X, this time Nikon France released another video demonstrating the editing and grading capabilities of the 8K N-RAW on DaVinci … Continued
Universal Pictures and Amblin Entertainment announced new IMAX theatrical releases of the Steven Spielberg classics E.T. The Extra-Terrestrial and JAWS. For the first time, audiences will be able to see these two marvels on the huge canvas and with all … Continued
The ‘Flare-Guard’ seems like a flat matte surface installed in front of the large sensor of the RED V-Raptor. This device is supposed to mitigate the optical phenomenon that exposes the stitched line of the Vista Vision sensor. Just a … Continued
The movie poster of the upcoming Jordan Peele’s NOPE, reveals an interesting phrase — “Shot With IMAX Film Cameras”, as opposed to Top Gun: Maverick’s poster — “Filmed For IMAX”. What’re the differences? Source: ‘Filmed For IMAX’ Vs. ‘Shot With … Continued
IndieWire once again made the traditional camera survey regarding the Cannes Film Festival 2022. We’ve collected the data and built the charts. No surprises here. Again, the dominant camera is the ARRI ALEXA Mini (not LF) —just like Cannes 2021, … Continued
We’ve contacted Nikon to make a comment on the lawsuit from RED Digital Cinema regarding the claimed violation of RED’s compressed raw patent on Nikon’s Z9 flagship camera. However, Nikon preferred not to comment by releasing a banal response due … Continued