formerly Mad Cornish Projectionist.
Cooke Optics has announced a partnership with EZtrack to change the way movies are made. You all know Cooke Optics. However, EZtrack may seem like a new player. In fact, EZtrack is probably the most advanced motion and lens engine … Continued
Have you ever wondered how cinematographers prepare their high-end cinema cameras for a shoot? YouTuber Matti Haapoja effectively covers and simplifies that. By assembling the ready-for-shoot kit for his ARRI ALEXA Mini LF, Haapoja explains the necessity of each part. … Continued
The first Komodo was born as a valid need to replace GoPro cameras. RED Digital Cinema’s goal was to develop an action/crash cam that can be utilized for the big screen. Of course, there’s GoPro. However, investigations showed that the … Continued
What’s the goal of the newly announced RED Komodo-X? We all know the purpose of the 1st Komodo (Baby Dragon/RED’s first action cam/crash cam). However, the new Komodo-X seems a bit tricky to define. Source: RED Komodo-X: From Crash-Cam to … Continued
An educational gem was discovered in the World Wide Web. We found The 15/70 Filmmaker’s Manual written in 1999. However, many of its topics are super relevant today and essential for those who are keen to shoot with IMAX cameras. … Continued
The champion of lens metadata — Cooke Optics, has partnered with EZtrack — a company that specializes in CG (Computer Generated) tracking, in order to facilitate CG workflow. The goal is to grant the director the CG elements in NRT … Continued