Digital Cinema

pple has published the list of cameras and their codecs which are supported by the Final Cut Pro for iPad app. It seems that the iPad version of FCP is limited to editing ProRes, ProRes RAW, and H.264/H.265 codecs. There’s … Continued

Cooke Optics has announced a partnership with EZtrack to change the way movies are made. You all know Cooke Optics. However, EZtrack may seem like a new player. In fact, EZtrack is probably the most advanced motion and lens engine … Continued

Have you ever wondered how cinematographers prepare their high-end cinema cameras for a shoot? YouTuber Matti Haapoja effectively covers and simplifies that. By assembling the ready-for-shoot kit for his ARRI ALEXA Mini LF, Haapoja explains the necessity of each part. … Continued

The first Komodo was born as a valid need to replace GoPro cameras. RED Digital Cinema’s goal was to develop an action/crash cam that can be utilized for the big screen. Of course, there’s GoPro. However, investigations showed that the … Continued

What’s the goal of the newly announced RED Komodo-X? We all know the purpose of the 1st Komodo (Baby Dragon/RED’s first action cam/crash cam). However, the new Komodo-X seems a bit tricky to define. Source: RED Komodo-X: From Crash-Cam to … Continued

An educational gem was discovered in the World Wide Web. We found The 15/70 Filmmaker’s Manual written in 1999. However, many of its topics are super relevant today and essential for those who are keen to shoot with IMAX cameras. … Continued