formerly Mad Cornish Projectionist.
A huge and significant lawsuit is on its way to AI imagery generators, with the goal of defending artists. A class action was filed against Stability AI, Midjourney, and DeviantArt for DMCA violations, right of publicity violations, and unlawful competition. … Continued
The mysterious Canon’s patent of a high-end boxy cinema camera (which looks identical to the RED Komodo) has just been published in Japan. This is the very same camera apparatus described in the U.S. patent published in July 2021. Source: … Continued
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon 25-300mm cinema lens. Source: Shooting Sports on ARRI … Continued
ARRI has announced the new SUP 7.2 for ALEXA Mini LF, and it emphasizes that this ‘large format flagship’ will continue to improve with additional updates during 2023. Source: ARRI Strengthens its Mini LF ‘Large Format Flagship’ Capabilities – YMCinema … Continued
The acclaimed cinematographer, Steve Yedlin ASC, sat with Zeiss to discuss the cinematography behind the beautiful film Glass Onion: A Knives Out Mystery. Read below what Yedlin had to say about camera movements and lensing, and also his advice to … Continued
A solid rumor indicates that the next MonsterVerse of Godzilla & Kong will be shot on IMAX MSM 70mm film cameras with Panavised Canon 1200 lenses. That would be the first MonsterVerse film to be shot in the 15/70 format. … Continued