formerly Mad Cornish Projectionist.
Much has been written about the production of Quentin Tarantino’s upcoming “The Hateful Eight,” which the director and cinematographer Robert Richardson shot using the Ultra Panavision 70mm format. The anamorphic widescreen photography hadn’t been utilized since the late 1960s, and the … Continued
Oscar-winning cinematographer Robert Richardson digs into the technical nitty-gritty of the large-format anamorphic film process that hasn’t been used in nearly 50 years. Source: How Quentin Tarantino Resurrected Ultra Panavision 70 for | Thompson on Hollywood
The last thing I expect to see in a movie theater nowadays is a movie projected on film, but that’s what happened this weekend, quite by chance. I’m still catching up with pictures I missed during my illness and went … Continued